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Movies Info:The story begins in Mallukot, Punjab, and the year is 1992. Mallukot is replete with all the typical elements that make up a filmi village – the yellow sarson khets, tractors, bicycles, tangas, the odd car on dust-ridden pathways, and the usual banter of village folk and the elderly. The village is set to stage a quaint romance that you can't wait to see unfold.
The film is a love story between Harry Singh (Shahid Kapoor), a Hindu Punjabi boy, and Ayat Rasool (Sonam Kapoor), a Kashmiri Muslim girl who has moved in with her paternal aunt, Fatima Bua due to the ongoing uprising in Kashmir.
The story is set against the political strife in India and the US: the Babri Masjid horror, the 1993 Mumbai blasts, 9/11 in the USA, Kargil and the Ahmedabad blasts. The film is so long that it could have accommodated a couple more of the heinous terror attacks in India in that much time.

It's "loaf at first sight" for Harry when he goes to the village bakery one morning to get his daily bread. He is transfixed as Ayat hands him the loaves, bursting into peals of laughter reminiscing of the first time she saw him in her burkha-clad avatar, covered in gunk from the fields. Harry, who had until then, always wanted an English mem, is hopelessly in love from that minute on and the song Rabba captures the emotions beautifully. Stolen glances and faux cycle chain repairs aside, Harry finally musters enough courage to ask Ayat on a rainy afternoon, "Baarish khatam hone se pehle bata dena ki main zinda rahoon ya mar jaoon," to which she says, "Kal subah jab bakery aaoge toh bata doongi."
This exchange is the only clue to Harry's passionate love for Ayat and it takes many, many reels to know how she really feels subsequently as the plot stretches out from Mallukot to Scotland to Switzerland, and finally, Ahmedabad.
Harry and Ayat are separated by destiny and some really strong divine forces because every time it seems like they have finally found each other for good, the plot moves into another complicated hurdle that throws them further apart.
The Scotland run-in is strange as she spots him in his dashing IAF pilot avatar at a streetside café after seven years but chooses not to speak to him! Err, after seven years of wanting to meet him, playing hide-and-seek is really not the way to get your man! What if she were to lose him again? Nah! Ayat prefers the old sighing and pining from a safe distance approach.

Movies Info:

Saru, full name Saraswati, is an obedient daddy’s girl. Inder is a broody, massively-tattooed loner. And ‘Sanam Teri Kasam’ , not to be confused with the ’82 film of the same name, is a manual of how Not to make a contemporary romantic film.

Also read: Sanam Teri Kasam box office collections: Mawra Hocane starrer earns Rs. 1.25 cr. on opening day.

Picture this: a heavy-handed father who thunders, flinging out instructions on how wife and daughters ought to behave. Falling in love with an unsuitable boy, ‘aiyyo rama’. Acting on your own will, ‘parmeshwara’. Doing what your heart tells you to, ‘aaj se thum mere liye marr gayi’.
See Pics: Sanam Teri Kasam Releases Today: 20 Film Titles Inspired By Hindi Song lyrics
Which leaves Saru (Mawra Hocane) to smile, simper, weep. Hesitate. Propitiate. And to look at her stony-faced father (Chowdhary, trying very hard to be a credible South Indian patriarch and failing) who’d rather conduct a wake than understand his daughter’s desires, and wait for his ‘permission’ before she can take a step forward. (Read: Ghayal Once Again, Sanam Teri Kasam to clash at box-office today)

Inder (Harshwardhan Rane, armed with impressive bod, limited expression), who has daddy issues of his own, scowls and growls. The deep hurt caused by his dad is revealed much too late, and much too cursorily. The rest is filled by these two unlikely characters—Inder and Saru—developing feelings, over a brain tumour, impending tragedy, and more tears. Read Ghayal Once Again review here
Just why is it so hard for Bollywood to make a romance that feels real, that is emotionally fulfilling without taking recourse to faux melodrama and loud background music? Why does the plot feel so moth-balled, stuffed with outlandish strands– a Dharavi-based, skull-capped make-over artist ( Raaz, kicking up his feels with painted-faced extras), a sentimental cop ( Sharma) spouting lines about ‘love’ and ‘second chances’, a screeching banshee who appears momentarily and vanishes, and more. (Also read: Salman Khan was a little upset about using his song in Sanam Teri Kasam: Director) The one to watch is fresh import from Pakistan, the interestingly-named Mawra Hocane. Her role requires her to be the kind of submissive, spectacles-swaddled ‘good’ girl who has difficulty in snaffling IIT-IIM types (which, according to this film, are the only ones to go for), who needs to be made over prettily to rescue her from permanent behenji-dom oblivion, and the kind who has to look for approving nods from the nearest male before taking a decision, and so on. But the fresh-faced, unaffected Hocane rises above it all, and shows us how effervescence can light up the screen. Someone give her another movie.

Movies Info:Arjun Kapoor and Kareena Kapoor’s next Bollywood movie titled Ki & Ka is going to be that one movie which will shake all perspectives, that is what the trailer suggests. The much awaited trailer was released yesterday, starring Kareena Kapoor and Arjun Kapoor in lead roles the movie deals with conventional gender role issues which the Indian society still struggles with. The trailer shows a role reversal with Arjun Kapoor (Kabir) plays the house husband while Kareena Kapoor (Kia) plays the wife who is the breadwinner of the house. She is a successful marketing professional. Ki and Ka is a love story with a difference.

Arjun Kapoor as Kabir is unlike the stereotypical belief is uninterested in making a career or being a workaholic. He has no liking of entering the rat race like every man is supposed to, he prefers to cook and take care of the house instead. Kareena Kapoor as Kia on the other hand is infatuated with her corporate career and plans to become a CEO someday.

Not only is the subject fresh but Arjun and Kareena’s pairing too looks fresh and refreshing. Through the trailer director Balki showcases scenes which put the general stereotypes upside down, like the one where the husband asks money from the wife and the one where he asks her to pay the restaurant bill. Like in every relationship, the trailer too has an emotional turmoil which is highlighted at the end of the trailer.

The trailer has its own commercial Bollywood elements of bollywoodish situations which make one surer of the fact that it will become a blockbuster at the box office. The ever gorgeous Kareena Kapoor looks beautiful and Arjun kapoor’s casting looks bang on. The story is quirky and the take on the situation of gender role reversal couldn’t be presented more interestingly.

Overall the Ki and Ka trailer looks extremely promising and looks like R.Balki is yet again ready to shake our senses with his unusual yet interesting take on human relationships. Ki and Ka wonderfully packs everything entertaining and thought worthy.

"Fitoor" New Movies

Fitoor Review: Katrina Kaif starrer spares no one, not Kashmir, not Delhi, not London, not Kashmiris, and not even poor Pakistan, which somehow finds its way into this tale essentially about love traversing social divides.

‘Inspiration’ Charles Dickens is just the first casualty. Fitoor spares no one, not Kashmir, not Delhi, not London, not artists, and not even poor Pakistan, which somehow finds its way into this tale essentially about love traversing social divides. (Also read: Sanam Re movie review: Pulkit Samrat and Yami Gautam’s film is cliche-ridden)
Meanwhile, having decided that in a film where all of Aditya Roy Kapoor’s hair is bunched upon his head and all of Katrina’s is plunged in a Chinar-esque red, in the hope perhaps that you don’t notice their blank faces below, Tabu takes it upon herself to act for the entire film. Her overladen, overdressed, overwrought Begum has done a hop, skip and jump (should that even be possible) from Haider and Vishal Bhardwaj to Fitoor and Abhishek Kapoor. (Read: Fitoor and Sanam Re, two love stories to clash at box-office today)
There is a Ms Havisham in there but you have to search for it past all this, the flowing hair again and those ornate clothes (whatever happened to the sole wedding dress of Ms Havisham?).
So, once upon a time there was a boy, here called Noor , who lived in this innocent place called Srinagar (shot beautifully) where fierce militants with wounds (Ajay Devgn, hard to decipher, but something about Army does get mentioned) accosted children like him in the middle of the night and demanded help. Noor doesn’t think twice which, as we know from Great Expectations, sets one chapter in his life. (Read: Fitoor music review: Sporadically Brilliant)
The other gets started when Noor and his brother-in-law get called to repair her mansion (‘Anjuman’, no less), by Begum. There Noor meets Firdaus, who comes riding in on a horse, across snow. A sight of her red cheeks and lips, and Noor is besotted. Begum notices, and by turns encourages and snubs Noor in his growing fascination for Firdaus. (Also read: Ajay Devgn has ‘intense’ role in ‘Fitoor’)
So far, Abhishek Kapoor, who gave us a quite remarkable and solidly middle-class Kai Po Che, appears to know what he is doing. The boy cast as Noor speaks with an unmistakable Kashmiri accent, his beautiful and kind sister walks with a mysterious limp that always halts Noor in his tracks, and the brother-in-law is supportive and unobtrusive. Tabu is still getting into the act. (PHOTOS: Style file: Katrina Kaif totally rocks feminine chic)
It’s when the sister dies, in a blast, the limp never explained, Firdaus goes away, Noor gets bigger and bulkier (Aditya Kapoor never stays in clothes, upper or lower for too long) and lands in Delhi that Fitoor enters from the epoch of belief to the epoch of incredulity (the Charles Dickens line the film is fond of repeating, though never reaching this particular part).
Financed by a mysterious benefactor, ‘the boy from Dal’ gets plonked from phiran on the lake to an artfully undone studio in midst of could-be Lodhi Garden. There is a Delhi out there where strangers open their hearts, parties, purse strings, not to mention letterheads giving their address as Sujan Singh Park, to accommodate growing artists among glowing monuments, only you may have never seen it. Meanwhile, an incredible number of foreigners keep flitting about. But what do we know.

Sanam Re

Review:

If the director or the producers – T-Series’ Bhushan Kumar and Krishan Kumar – had listened to any doubts they may have had during the making of this film, we might have been spared yet another ill-conceived love story. Unfortunately, they didn’t and as a result, Sanam Re exists.

Doubt is rather unfairly maligned; It may be true that it has killed more dreams than failure ever will, but sometimes, a tactfully timed doubt can be used to end an embarrassingly bad dream before it gets out of hand. Let’s take Divya Khosla Kumar’s second directorial feature, Sanam Re, as an example. If the director or the producers – T-Series’ Bhushan Kumar and Krishan Kumar – had listened to any doubts they may have had during the making of this film, we might have been spared yet another ill-conceived love story. Unfortunately, they didn’t and as a result, Sanam Re exists.

The alleged plot of the film is incoherent, cliche-ridden and was probably written by the children who appear in the intermittent flashbacks. The movie begins with Akash (Pulkit Samrat) who is too busy struggling up the corporate ladder to find time for love or even answer his mother’s phone calls. Even as he allows his obnoxious boss (a hammy Manoj Joshi) to bully him, he can’t escape the life that he has left behind in Tanakpur, a place, where no matter what time of the year it is, the CGI snow keeps falling. When Akash is called home to help sell off the derelict photo studio that once belonged to his ailing grandfather (a bewigged, bespectacled Rishi Kapoor), we are helpfully given some glimpses into the past so that the director can drive home the point of the film – which is that no matter how hard you try, you can’t escape love. Or something like that. We also discover that Akash once had a childhood sweetheart Shruti (Yami Gautam) who he gave up in his search for material success.

Neerja

Neerja is a 2016 Indian Hindi-language biographical thriller film written by Saiwyn Quadras, and directed by Ram Madhvani starring Sonam Kapoor, Shabana Azmi and Shekhar Ravjiani. The film was produced by Atul Kasbekar under the banner of Fox Star Studios.[3] The film revolves around the Libya backed Abu Nidal Organization's hijacking of Pan Am Flight 73 in Karachi, Pakistan on 5 September 1986. The film is shown from the point of view of the flight's head purser Neerja Bhanot who thwarted the hijack attempt by preventing the plane from taking off, and saved the lives of 359 passengers and crew on board.

The film opens with Neerja Bhanot (Sonam Kapoor), 22 years old, arriving (late) for a house party. She's loved by everyone, the life of every party. Later that evening her mother (Shabana Azmi) expresses concern once again about Neerja's job as a flight attendant and suggests Neerja return to her old job of modeling. Neerja likes her job and is driven to the airport by her boyfriend Jaideep (Shekhar Ravjiani). (Her mother is not totally thrilled about this either.) Neerja's colleagues love Jaideep, he adores her and gives her an advance birthday present.

Neerja reflects on her brief and unhappy arranged marriage. Her former husband was a professional in Doha, Qatar. He constantly harangued and abused Neerja over dowry. (It is revealed that Neerja's family had made it clear there would be no dowry, but the husband had expected something anyway.) He also abused Neerja as she could not cook or clean. She eventually returned home to honor a modeling contract. He sent back a humiliating letter attacking her parents about dowry, her lack of domestic skills and suggesting that she had better bring something (money) back or not come back at all. She broke off with him and landed a highly competitive job with Pan Am.

As Neerja boards Pan Am 73 (Sep 5, 1986) it is revealed that a terrorist group has planned to hijack the plane in Karachi. The plane takes off from Mumbai and lands in Karachi where the terrorists board the plane disguised as security officers escorting a Libyan diplomat. They reveal themselves and hijack the plane. Neerja quickly alerts the cockpit and the American pilots escape through the overhead hatch and run into the terminal. (The plane cannot be flown.)

When an Indian American inadvertantly reveals himself (to be an American) the terrorists grab him and shoot him dead before the Pakistani negotiators. The terrorists try to locate the radio engineer among the passengers but Neerja bravely signals him to remain quiet. Later the terrorists ask the flight attendants to collect the passports so as to locate the Americans and hold them hostage. Neerja and her colleagues collect the passports but skilfully avoid any American passports by kicking them under the seats or down the trash chutes. Soon the terrorists locate a British citizen and use him for negotiations.

The Pakistan negotiators inadvertently reveal the name of the radio engineer (a Pakistani); he is now located and roughly brought into the cockpit to start the radio and begin the negotiations. The Pakistanis stall for time. The terrorist leader chastises the other, younger, terrorist who has begun roughing up the passengers and molesting the attendants (including Neerja). Angered by his public embarrassment the younger terrorist storms into the cockpit and shoots the radio engineer and, in full defiance of his leader, screams wild threats over the radio. The terrorists are confused; the leader only wants to complete the mission but the younger man is now only serving his own rage. Pakistani air control is still negotiating but they are slowly losing control and time and the terrorists are getting agitated by the minute.

Some 17 hours later the plane loses auxiliary power and the lights go out. Despite Neerja and the other attendants trying to explain this as a normal airplane reaction, the terrorists believe the power was cut by the Pakistan armed forces who will soon storm the plane. They now begin indiscriminately shooting passengers. At great peril to her own life Neerja opens the rear door and deploys the chute and begins directing passengers down the chute. Neerja could have escaped by herself but she chose to put the passengers first. In the end she is shot by the terrorists as she tries to shield young children from the gunfire. The film ends with a tributary message to Neerja who was eventually recognized with bravery awards by India, Pakistan, USA, and other countries.

Do Lafzon Ki Kahani

Details:
Centered on ex-mixed martial arts artist Sooraj (Randeep Hooda) and sculptor artist Jenny (Kajal Aggarwal). Their fate intertwines when their past are revealed in their blooming relationship.

Director: Deepak Tijori

Writer: Girish Dhamija

Stars: Kajal Aggarwal, Randeep Hooda, Snehal Kulshreshtha

Do Lafzon Ki Kahani movie brooding love story with a little bit of action. Randeep Hooda Randeep Hooda will have an action packed role and he will be seen playing an ex-Mixed Martial Arts fighter and Kajal Aggarwal will also be seen in a prominent author backed role compared to her previous appearances in Bollywood.

Rocky Handsome

Director: Nishikant Kamat

Writer: Ritesh Shah (adapted by)

Stars: John Abraham, Shruti Haasan, Nishikant Kamat | See full cast & crew

Review: Rocky Handsome is an upcoming 2016 Indian action thriller film directed by Nishikant Kamat. It features John Abraham and Shruti Haasan in the lead roles while Nishikant Kamat and Sharad Kelkar appear in crucial supporting roles. It is a loose adaptation of the 2010 Korean film The Man from Nowhere. John is co-producing this film under his home banner John Abraham Entertainment with Sunir Khetrapal’s Azure Entertainment. The film’s story revolves around a man who sets out to take vengeance against drug mafia after they take away an eight-year-old girl, with whom he shares a special bond.[1] The theatrical trailer released on 4 March 2016 to positive reviews.

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Awesome Mausam

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Ki & Ka

Fitoor New Movies

Sanam Re New Movies

Neerja new movies

Do Lafzon Ki Kahani

Do Lafzon Ki Kahani

Rocky Handsome New Movies